Month: June 2012

A Banned Sorcery Review: Nameless, by Dawn Napier

Bryce Anderson likes to swim the vast and deep seas of Amazon’s self-published sci-fi and fantasy, occasionally bringing back sunken treasure. Find his reviews and fiction at Banned Sorcery.

By Dawn Napier
Genre: modern-day dark fantasy
Length: 67,000 words
Words per penny: 336
Available on Amazon.

Rating: +5 Awesome

Plot summary (spoiler-free):

A young woman named Sharon finds a strange little girl on her doorstep, and takes her in. The stubbornly nameless child is one of the fairyfolk, and is being hunted by dark powers, both fairy and mortal. When the child is kidnapped, she must go to the fairy world and rescue her with the help of her slacker brother, a sexy Catholic priest, and a magical granny with mad embroidering skillz.


It would be difficult to recommend this book highly enough. Writing, characters, plot, and dialogue are all top-notch, better than most traditionally published fiction. The story kept me hooked from beginning to end.

The book is full of adventure, with a good love story, and enough theological musings to keep your brain occupied, without ever slowing down the main story. Napier’s Underhill (the fairy world) is a strange place with a logic of its own, a place where everything is beautiful and anything can be deadly. The fairy kingdom is populated with beautiful, dangerous spirits who use magic and wiles to lure unsuspecting mortals to … well, everyone has their own deadly and/or sexy agendas.

It was with a heavy heart that I discovered that this is Dawn Napier’s only published work. Fear not, though. She’s working on another.

Write faster, you! Also, use more bigger words. Be obfuscatory, dammit! (Sorry. Inside joke. My first contact with her was during a brief online argument over whether Fifty Shades used inappropriately large vocabulary.)


The book deserves better cover art. A few stick-in-the-muds … er, I mean gentle souls … might find some parts blasphemous or disrespectful towards Catholicism. Jesus is pro-gay marriage, and he swears.

New Yorker Article

1) I let my subscription to The New Yorker lapse some years ago because I was buried in New Yorkers. Monthly, it’d be great. Weekly? Gah!

2) There was exactly one source of higher-brow periodicals in the 70,000-person town I’m living in right now. It was a Borders.

1 + 2 = I can’t read the interesting-looking article on the anti-trust suit by Ken Aulette in this week’s issue of The New Yorker. But if you’re a subscriber, you can. The rest of us will have to catch up next week.

Thanks to The Passive Voice for the link.

Mass-Market Paperbacks: Ubi Sunt, and All That?

Yesterday, The Passive Voice  linked to these Association of American Publishers figures via GalleyCat:

2012 vs 2011 YTD revenuesGalleyCat’s comments highlight the fact that ebook revenue ($282.3 million) has surpassed hardcover revenue ($229.6 million), but also gives paper its due by quoting the AAP report: “Trade Paperback remained a clear #1 in net sales revenue despite some erosion” (accessed 6/18/12). Yeah, I guess: $299.8 million is bigger than $282.3 million. Another way to look at it is that ebook revenue is less than 6% lower than trade paper revenue. Is that a “clear” lead? Well, it depends. In a U.S. presidential election, 6% is a blow-out. In a horse race, you’d better have a camera.

At any rate, what I find striking, here, is the almost 21% decline in mass-market paperback sales in just one year.

The days of the mass-market paperback are, perhaps, numbered. I say this because, as I understand it, profit margins on mass-market paperbacks are very low. They make money because they move en masse. How much mass can you lose before mass-markets are just not profitable any more — at least not at their current low price points? And once that $7.99 price point becomes a thing of the past, ebooks will look even more attractive in comparison. Vicious cycle ensues.

And notice the 10+% decline in trade paperbacks.

I imagine larger-format, higher-quality paperbacks will hang on a lot more tenaciously than mass-markets, since the genre-fiction categories that are ebooks’ bread-and-butter (romance, mystery, etc.) represent less of the total. In fact, I think they’ll “hang on” permanently, since there will always be people who want to read on paper. Still, I wonder just how small that niche might get and what percentage of larger-format paperbacks will be POD books, ten years from now.

My Verdict: Rocks

Check out the extensive showcasing the great new site is giving Nolander as today’s “Indie Book of the Day” selection. It’s all there — cover, blurb, Shelfari extras, author bio, Amazon reviews, book details, a pithy one-sentence “verdict” on the book, and a “Buy” link that takes you directly to the book’s Amazon page. Past selections remain visible on the site for browsing.

If you’re interested in nominating your book to be “Indie Book of the Day,” check out the nomination criteria here. also does a daily promotion of free indie books (submit here). Both of these promotions are free of charge.

What a terrific service — the indie community could use more sites like this one!

Dean Wesley Smith on the Biggest Myth of Traditional Publishing

The Passive Voice showcased this great article by traditionally published “old-timer” Dean Wesley Smith on the many ways traditional publishing is claimed to be superior but actually isn’t. The biggest myth of all? The selling a book to a publisher means you’ll end up a published author. Just because you sell a book to a publisher and get paid your advance for it doesn’t mean that book will ever see print. The publisher might just say, “You know what? Never mind.” How many times has that happened to DWS? S-E-V-E-N-T-E-E-N.

Holy moly.